Panopticon's "On the Subject of Mortality - part one" are the most honest and revealing Panopticon recordings thus far. These songs are organic, stripped down, and uncompromising. A sorrowful - yet somehow hopeful - exploration of the theme of Death and the purpose of existence. Fueled by ferocious, driving drumming and percussion, raging and furious vocals, and the technical guitar shredding of A. Lundr. But this time expect a melancholy pervading that separates these works from Panopticon's usual message of "stand and fight for it". This time there is the feeling of questions unanswered and frustration at our very short time here on Earth. "When Bitter Spring Sleeps" offers their unique Black Metal nature worship as well. One vicious live ritual recorded in a nature preserve: A spell to conjure storms. The other tracks feature WBSS' first studio recordings blended with ambience captured at the same nature preserve but brimming with depth and thick instrumentation. One homage to the mystical powers of Fire and Water. And the final track closes the album concept with a tribute to the wonder and majesty of Almighty Death (a cover song written by etherial folk artist Arrowwood).
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about
This song originally written by Arrowwood
lyrics
I feel that life will never end where the heart lays in the dark ground
Where love leans like a crack in the heart... in the heart
I've seen all things rise to fall into dust
Into the flare that turns us pale... where loveliness dies
Ah... All things rise, rise to fall
Ah... Chaos comes as close as breath
Within the shadows, the eyes of death watching, once warm in a clover sweet now so cold in the dark ground
Ah... Still hearts in shallows fall into the grave
Ah... All things rise to fall
I've seen sparks in the trees so weak; tiny stars, they struggle like the dying of love...
Arising death
Ah... All things rise to fall
Ah... All things are brought to the grave
Once so warm, now so cold, so cold...
supported by 19 fans who also own “All Things Rise (Arrowwood Cover)”
"This record is in honor of the northern lights, which very few things in the world are more beautiful and awe inspiring than" and we can say the same of Panopticon's work. Even a EP with "leftover" songs carries so much beauty. Thetruebia
supported by 17 fans who also own “All Things Rise (Arrowwood Cover)”
La rage est encore la principale source d'énergie d'Austin Lunn dans Collapse, son deuxième album, mais jamais il ne se laisse dominer par elle : elle permet une renaissance. Il actualise la mythologie nordique pour narrer une saga contemporaine au cours de laquelle les prolétaires se déchaînent : une nouvelle histoire, un nouveau folklore.
Le black metal a trop longtemps utilisé les mythes pour servir des idéologies toxiques et, à mon avis, c'est pour faire renaître le genre qu'il les reprend. Jordan Vauvert
The metal’s band revelatory new record crosses genres and styles, effortlessly combining seemingly incompatible subgenres. Bandcamp Album of the Day Apr 26, 2024
supported by 17 fans who also own “All Things Rise (Arrowwood Cover)”
Possibly the best USBM album ever, which makes it Panopticon's best even in a discography full of classics. This is the album that reminds me that Austin is the best drummer black metal has ever seen. Ryan